There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
You'll hear that phrase a few times throughout DTF St. Louis, a darkly comedic miniseries from HBO and creator Steven Conrad (Patriot). The show examines the intertwined lives of three friends, diving beneath their seemingly normal exteriors to prod at the desires and fantasies they hope will drive away their middle-age malaise. Along the way, there's an affair, a murder, and a wildly named hookup app called DTF St. Louis.
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Российский телеведущий пожаловался на испражняющихся на улицах одной страны людей20:47
François Joulaud